top of page
ASEAN-KOREA
문화예술-산업동향
THACCA: 현재진행형인 태국의 초대형 창의산업 전담기관 설립과 이가 아세안에 주는 시사점
When Thailand's Pheu Thai-led government took office in September 2023, its very first cabinet meeting created the National Soft Power Strategy Committee — a signal of how central the creative economy had become to Thai economic thinking. The reasoning was openly demographic and structural: with the country's fertility rate at roughly 1.0 and conventional industries no longer generating sufficient growth, policymakers framed soft power as the engine for transforming Thailand'
2일 전
제주의 한-아세안 올레길: 걸으며 경험하는 문화외교
There is a particular kind of cultural diplomacy that does not happen in conference rooms. It happens when you stop walking, sit down on a bench, and find yourself reading about a country you have never visited—while looking out at the sea. That is exactly what the ASEAN-Korea Olle Trail is designed to do.
2일 전
HORI7ON과 P-Pop의 순간: K-Pop 시스템이 동남아시아로 향할 때
HORI7ON (호라이즌) is a seven-member Filipino boy group under MLD Entertainment, formed through the ABS-CBN/MLD co-production Dream Maker (2022–23). They debuted in Seoul in July 2023 and performed at the 2026 ROUND ASEAN-Korea Music Festival in Manila in April 2026.
6월 8일
인공지능, 저작권, 그리고 창의산업(2026)
The UK faces a choice between two futures. In the first, the UK becomes a world-leading home for responsible, licensing-based artificial intelligence (AI) development, where commercial model developers using UK content obtain permission, pay fair remuneration to rights holders and can deploy their models without questions of legal liability.
5월 20일
스페셜 유로바로미터(Special Eurobarometer) 562: 문화에 대한 유럽 시민들의 인식
Special Eurobarometer 562: Europeans' Attitudes Towards Culture is publicly available via the European Commission's Eurobarometer portal. Fieldwork was conducted February–March 2025 across all 27 EU member states.
5월 11일
인도네시아 바틱(Batik): 유네스코 문화유산에서 세계적 지식재산(IP) 자산으로 (2)
The digitization of batik commerce is simultaneously accelerating the industry's reach and introducing new categories of IP risk that existing governance frameworks are not equipped to handle.
4월 28일
인도네시아 바틱(Batik): 유네스코 문화유산에서 세계적 지식재산(IP) 자산으로 (1)
When UNESCO recognized Indonesian batik as an Intangible Cultural Heritage of Humanity in 2009, the designation triggered something beyond international prestige. It sparked a decades-long reckoning with a fundamental question: how does a country protect, commercialize, and scale a cultural asset that is simultaneously a living craft tradition, a national identity marker, and an increasingly contested piece of intellectual property?
4월 15일
아세안 창의 산업 진흥 센터(The ASEAN Center of Excellence for Creative Industries(CoE))
ASEAN은 그동안 창의경제를 문화·예술 분야의 하위 개념으로 다루어 왔다. 그러나 필리핀의 2026년 의장국 수임을 계기로 추진되는 창의산업 분야 ASEAN 우수센터(CoE)의 설립은 이러한 인식에 근본적인 전환을 의미한다. 이는 창의산업(‘오렌지 경제’)과 디지털 경제를 연계·통합하기 위해 마련된 역내 최초의 전담 제도적 플랫폼으로, 국가별로 분절되어 있던 산업 구조를 하나의 통합된 지역 성장 동력으로 전환하는 것을 목표로 한다.
4월 8일
필리핀 창조산업진흥위원회 Philippine Creative Industries Development Council (PCIDC)
The Philippine Creative Industries Development Council (PCIDC) represents a landmark institutional framework established under Republic Act No. 11904 (Philippine Creative Industries Development Act) enacted on July 28, 2022. As the Philippines pursues its ambitious vision to become Asia's Premier Creative Hub by 2030, the PCIDC serves as the primary coordinating mechanism for creative industries policy, development, and implementation at the national level.
1월 6일
AXEAN 페스티벌 (2020~)
The AXEAN Festival is a prominent Southeast Asian music export platform, combining a music conference and showcase festival.
Launched in 2020 during the pandemic by music professionals across Southeast Asia, AXEAN Festival has successfully hosted both virtual (2020-2021) and in-person (2022-2024) events. Over five editions, it has featured 200 artists from 20 countries, attracted 240 delegates from 32 countries, and reached over 46,000 virtual viewers, along with close to 15
1월 6일
문화적 유대와 스크린 투어리즘 – 온라인 엔터테인먼트 서비스를 중심으로
UNWTO-Netflix report examines how streaming films and TV series can foster deeper cultural connections that extend far beyond traditional screen tourism. The study represents a collaboration between the World Tourism Organization and Netflix to understand how digital content distribution creates what researchers term "cultural affinity."
1월 6일
「아트 아카이브: 필리핀의 현대 시각예술과 공연예술」(2017)
"ART ARCHIVE 01," the inaugural volume of a comprehensive series published by the Japan Foundation, Manila in November 2017. The publication serves as an extensive scholarly examination of contemporary visual and performing arts in the Philippines, bringing together diverse voices from the archipelago's vibrant cultural landscape through essays contributed by practicing artists, performers, art writers, curators, journalists, and academic experts in the field.
1월 6일
bottom of page