top of page

ASEAN-KOREA
Cultural & Creative Sectors Research


BTS, the Grammys' New "Asian Pop" Category, and What It Means for Southeast Asian Music
BTS declined the 2027 Grammys over a new "Asian Pop" category. Here's the debate — and what one "Asian" label means for Southeast Asia's rising music scenes.
2 days ago


Southeast Asia Is Building AI in Its Own Languages (Part 2)
From Indonesia to Thailand, each ASEAN nation builds AI its own way. What does this mean for creators? Three questions on data, dependence, and access.
5 days ago


Southeast Asia Is Building AI in Its Own Languages (Part 1)
Why is Southeast Asia building its own AI? A deep dive into SEA-LION—its origins, purpose, and how it tackles the "WIRED" bias baked into global models.
7 days ago


When the City Becomes the IP (Part 1): ASEAN's Regional Frameworks & Tourism Drivers
Across Southeast Asia, urban regeneration policy has fundamentally shifted. Rather than focusing solely on physical infrastructure, governments are increasingly adopting a model in which urban heritage, local narrative, and spatial design are converted into commercializable cultural-content IP.
Jul 31


When the City Becomes the IP (Part 2): Pathways to Urban IP & Measuring Success in ASEAN Cities
UNESCO designation impact, four practical urban-IP models, global benchmarks, Gen Z literary circuits, and Indonesia's measurement infrastructure.
Jul 31


Reading Shenzhen's Culture Fair: What the ICIF Signals for ASEAN's Creative Economy
This report tracks the trajectory of China's largest state-backed cultural-industry fair, the China (Shenzhen) International Cultural Industries Fair (Wénbóhuì, hereafter ICIF), examines what a contemporary industry fair actually does beyond matchmaking, and situates the IP business it incubates within an Asian context that is distinct from Western models.
Jul 10


Regional perception poll on the ASEAN creative economy
In October 2025, the British Council released the first-ever Regional Perception Poll on the ASEAN Creative Economy — a survey of 4,117 respondents across all ten ASEAN member states and Timor-Leste, covering both the general public and active creative economy participants ("Creative Players").
Jun 18


When the Dividend Ends: ASEAN's Demographic Turn and the Creative Economy Bet
The creative economy is the region's chosen answer — and notably, an agenda ASEAN set rather than received. Indonesia was the main sponsor of the 2019 UN resolution declaring 2021 the International Year of Creative Economy, having convened the first World Conference on Creative Economy in Bali in 2018, and ASEAN culture ministers enshrined their own definition of the "ASEAN Creative Economy" in the 2022 Siem Reap Declaration.
Jun 15


THACCA: Thailand's Creative Super-Agency in the Making — and What It Signals for ASEAN
When Thailand's Pheu Thai-led government took office in September 2023, its very first cabinet meeting created the National Soft Power Strategy Committee — a signal of how central the creative economy had become to Thai economic thinking. The reasoning was openly demographic and structural: with the country's fertility rate at roughly 1.0 and conventional industries no longer generating sufficient growth, policymakers framed soft power as the engine for transforming Thailand'
Jun 12


The ASEAN-Korea Olle Trail in Jeju: Cultural Diplomacy You Can Walk
There is a particular kind of cultural diplomacy that does not happen in conference rooms. It happens when you stop walking, sit down on a bench, and find yourself reading about a country you have never visited—while looking out at the sea. That is exactly what the ASEAN-Korea Olle Trail is designed to do.
Jun 10


HORI7ON and the P-Pop Moment: When the K-Pop System Goes Southeast Asian
HORI7ON (호라이즌) is a seven-member Filipino boy group under MLD Entertainment, formed through the ABS-CBN/MLD co-production Dream Maker (2022–23). They debuted in Seoul in July 2023 and performed at the 2026 ROUND ASEAN-Korea Music Festival in Manila in April 2026.
May 29


AI, copyright and the creative industries(2026)
The UK faces a choice between two futures. In the first, the UK becomes a world-leading home for responsible, licensing-based artificial intelligence (AI) development, where commercial model developers using UK content obtain permission, pay fair remuneration to rights holders and can deploy their models without questions of legal liability.
May 12
bottom of page
