팬데믹 전에도 지역적 맥락이 다르기 때문에 이 지역의 미술과 문화 모델은 국제적 플랫폼에서 흔히 나타나는 모델과는 달랐다. 하지만 매우 능동적이고 자체적으로 활성화된 시민 주도형(풀뿌리) 모델이 있다는 것을 새로이 발견하게 되었다. 특정 문화가 다른 문화 보다 중요하다는 개념은 아니며, 이 지역에도 문화와 창의성이 매우 풍부한 지역도 있음을 보아왔다.

Regarding the participation of Creative Platform for ASEAN-Korea and experiences during PAMS 2022, Jennifer will put down some of her sharing, takeaways, reflections, and suggestions to respond to the Platform’s aim of facilitating more cultural exchange and collaborations between Korea and the SEA region.

한-아세안 플랫폼 내에서 보다 많은 토론과 연구가 진행된 후에 차기 라운드 테이블을 다시 개최하거나 또 다른 공유의 수단을 통해서 우리 스스로와 대중에게 더 많은 것을 제공할 수 있는 기회가 생기길 기대한다.

Self-censorship has become their nature, but in many cases, this cautious element turned out to be a very funny and satisfying form of communication towards the audience.

"While based in the UK and contemplating his producing practice, the following questions came to Shai’s mind, “Who do we not see on our stages? Whose stories are not being told? Where are the arts leaders who look like me?” These questions laid the foundation for his current practice exploring multidisciplinary performance-making, lesser-told narratives from Singapore and Southeast Asia, and internationalization. As a producer, he believes it is important to work collaboratively across mediums with a need to break borders and barriers. Shai also believes in arts education and provides mentoring and development opportunities for emerging arts producers. His keywords are Diversity, Opportunity, and Connectivity."

Suppose we secure appropriate technology experts based on human resources and establish an exchange system that can match them in the right place, significantly high value-added activities can be carried out effectively and efficiently.

I am always as interested in the story, as I am interested in how a story is told. Since around 2012, I started working on a long term project called The Critical Dictionary of Southeast Asia.

The ASEAN regions are considered as one of the most favorable travel sites for Koreans. The actual figures indicate that the ASEAN countries including Thailand, Malaysia, Bangladesh, Laos, and Myanmar are enormously favored by Koreans as tourist destinations. The fact that these countries are visited as tourist destinations means that Koreans must have had general insights on their experiences of people, cultures, linguistic characteristics, preferences, and perceptions of the regions.

My genre is focused more in electronic music and contemporary music, but when the traditional artists put the creation into this, they also contribute their own creations and also their own cultural background into the compositions.